It is always interesting to see directors employ architecture as a compositional grid in a shot. Besides the obvious strict modernist influence in such a method, there is also the small matter of a cinema frame pictorially resembling the page of a comic - with characters conducting their conversation across separate panels. Following are a few such recommendations,
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| The Thin Blue Line(1988)/ Errol Morris |
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| Vengeance is Mine(1979)/ Shohei Imamura |
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| Harakiri(1962)/ Masaki Kobayashi |
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| Vengeance is Mine(1979)/ Shohei Imamura |
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| X-Ray(1974)/ Krysztof Kieslowski |
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| Jimmy Corrigan/Chris Ware |
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