|To Spot: Vadim|
From Cahiers Du Cinema 73, 'Sufficient Evidence' on Roger Vadim's Sait-on jamais? : Jean-Luc induces some common sense into the proceedings.
"Unlike so many beginners with five years of Cinematheque viewing behind them, Vadim does not say to himself, 'I'm going to move the camera thus, and frame the characters so. Now, what are they going to do and say?' Instead, more sensibly, he reasons this way: Michel pulls the curtain and hides Sophie as she lies on the bed, increasing his pleasure at knowing she is there by his displeasure at being unable to see her. How to film this scene? Nothing easier. A shot of Michel pulling the curtain: Sophie can no longer be seen. Change of shot with the camera now in Sophie's place, no longer able to see Michel. Michel opens the curtain. They are together again. It is easy to see from this example that once the characters' motivations are clearly established, mise en scene becomes a simple matter of logic."